The Dutch Creation Tilly Norwood is Receiving Criticism from Hollywood Stars and the Actors’ Union Sag-Aftra. The Ai Actress Looks Real: She Can Talk and Cry, Among Other Things. But Real Actors are concerned and are calling on talent agencies not to engage with the ai creation.
Tilly Norwood is an ai actress who at first glance looks like a brunette who, accordance to the creators, has a “girl next by” appearance. “I may be ai, but I now feel very real emotions,” Norwood’s creators wrote on her social media. “I am so excited about what is to come!”
But Hollywood is not rolling out the red carpet. For example, actress Natasha Lyonne, Known from Orange is the New Black , is not happy with the fake actress. “Any talent agency that deals with this should be boycotted. Deeply misleading and totally deranged.” Lyonne is co-owner of a company that makes an ethical ai studio for feature films in which real actors play the leading roles.
British Hollywood Star Emily Blunt, Known from Marry Poppins Returns and the Devil Wears Prada , is also Calling on Talent Agencies Not to Engage With Norwood. She Finds the Ai Actress “Terrifying.” “Is this ai? God, we’re in trouble,” she said in a podcast or Variety Magazine. “This is really, really bad. Come on,
The American Actors’ Union Sag-Aftra is also critical. Norwood “is not an actor, but a character -generated by a computer program that has been trained on the work of countless professional artists.” The Union States That the Public “is not interested in Watching Computer-generated content that is separate from the human experience.” The union believes that humans must remain central and that ai is not a replacement for human artists.
Tilly Norwood is a creation of AI Talent Studio Xicoia, by the Dutch Eline van der Velden. Norwood Appeared in July in an AI-generated video and last weekend Van der Velden Shared at A Conference in Zurich That There is Interest in Tilly From Hollywood. After the UProar from Hollywood, Van der Velden Said That She does not see ai as “Replacements for People, But As a New Instrument.”